Tagged: AWD

Frost & Sullivan’s inaugural New Zealand Excellence Awards 2014 recognises 18 companies for best practices

AUCKLAND, New Zealand, Aug. 28, 2014 /PRNewswire/ — Frost & Sullivan held its inaugural New Zealand Excellence Awards on 28 August 2014 at Villa Maria, presenting a total of 18 awards to companies across the industries of Food, Energy and Power, Healthcare and Information Communication Technologies.

Recipients of the 2014 Frost & Sullivan New Zealand Excellence Awards

Recipients of the 2014 Frost & Sullivan New Zealand Excellence Awards

The New Zealand Excellence Awards will be an annual event to honour companies that have demonstrated outstanding achievement and superior performance in their respective market segments.

“We are very proud to host the annual awards in New Zealand to celebrate the achievements of New Zealand companies. Frost & Sullivan’s awards play an important role recognising those who are driving innovation and achieving best practices across various industries in the New Zealand market. This is our first year of awards in New Zealand, and we are pleased to be able to recognise exceptional accomplishments and exemplary achievements in several of the markets we operate in,” said Andre Clarke, Country Manager, Frost & Sullivan New Zealand.

He added, “The awards reflect a lot of hard work by the recipients, and Frost & Sullivan is pleased to confer these awards in acknowledgment of this. We hope these awards encourage market players to continue to strive for greater success across industries.  As we continue to identify companies deserving distinction, I am confident that this awards banquet will continue to grow and be the most anticipated event of the year by the local business community.”

Award recipients for the 2014 New Zealand Excellence Awards were identified based on extensive secondary research conducted by Frost & Sullivan’s analysts, in-depth interviews and analysis. In order to identify best practices, companies are typically studied on their revenues, market share, capabilities, product or service innovation and overall contribution to the industry.

Frost & Sullivan congratulates all the recipients of the 2014 New Zealand Excellence Awards.

2014 Frost & Sullivan New Zealand Excellence Awards Recipients

Category

Award Recipient

————–

————————-

Energy & Environment

———————————–

2014 Asia Pacific Customer Value

Enhancement Award in DC Power

Systems

Enatel Ltd

—————————————————–

—————-

2014 New Zealand Energy Management

Services Company of the Year

ABB Limited

—————————————————————

——————-

2014 New Zealand Electric Vehicle

Charging Company of the Year   

Juicepoint

——————————————————-

—————-

2014 New Zealand Smart Grid

Solutions Company of the Year  

Silver Spring Networks

————————————————-

———————————-

2014 New Zealand Facilities

Management Company of the Year  

ISS Facility Services

——————————————————–

——————————–

Healthcare

—————–

2014 New Zealand Mobile Health

Company of the Year         

Vensa Health

—————————————————–

——————–

2014 New Zealand Medical Imaging

New Product Innovation Leadership

Award                            

Aranz Medical Limited

——————————————————–

———————————–

2014 New Zealand Aged Care Industry

Emerging Company of the Year     

Bupa Care Services

————————————————————

——————————

2014 New Zealand Aged Care Company

of the Year                     

Ryman Healthcare Ltd

—————————————————————

———————————-

Food

——–

2014 New Zealand Animal Nutritional

Feed Company of the Year      

Alltech

———————————————————–

———–

2014 New Zealand Nutraceutical

Company of the Year        

Vitaco Health

—————————————————

———————

2014 New Zealand Edible Oil Company

of the Year                     

The Village Press

————————————————————–

—————————-

Information and Communication Technology

———————————————————————-

2014 New Zealand Network Security

Vendor of the Year               

Check Point Software Technologies

——————————————————–

——————————————————–

2014 New Zealand Enterprise

Telephony System Integrator of the

Year                               

Cogent Limited

——————————————————-

————————

2014 New Zealand Contact Center

Outsourcing Service Provider of

the Year                         

Datacom

——————————————————

————-

2014 New Zealand Unified

Communications System Integrator

of the Year                            

Spark Digital

——————————————————-

——————–

2014 New Zealand Hosted Contact

Center Service Provider of the

Year                             

Spark Digital

——————————————————

——————-

2014 New Zealand Data Center

Hosting Service Provider of the

Year                              

Spark Digital

————————————————-

——————-

For more details on the 2014 New Zealand Excellence Awards log-in to http://www.frost-apac.com/newzealandawards. You may also connect with Frost & Sullivan on social media, including Twitter, Facebook, SlideShare, and LinkedIn, for the latest news and updates.  We also invite you to join the conversation using @FrostSullivanAP.

The 2014 Frost & Sullivan New Zealand Excellence Awards was held in conjunction with the Growth, Innovation and Leadership (GIL) Congress 2014: New Zealand.

About Frost & Sullivan

Frost & Sullivan, the Growth Partnership Company, works in collaboration with clients to leverage visionary innovation that addresses the global challenges and related growth opportunities that will make or break today’s market participants. For more than 50 years, we have been developing growth strategies for the global 1000, emerging businesses, the public sector and the investment community. Is your organization prepared for the next profound wave of industry convergence, disruptive technologies, increasing competitive intensity, Mega Trends, breakthrough best practices, changing customer dynamics and emerging economies? Contact us: Start the discussion

Contact:

Donna Jeremiah
Corporate Communications — Asia Pacific
P: +61 (02) 8247 8927
F: +61 (02) 9252 8066
E: djeremiah@frost.com

http://www.frost.com

Photo – http://photos.prnasia.com/prnh/20140828/8521404859

Golden Teardrop by Arin Rungjang from Thailand Shortlisted as Finalist in Third Asia Pacific Breweries Foundation Signature Art Prize

15 finalists vying for SGD 60,000 Grand Prize revealed today

BANGKOK, Aug. 27, 2014 /PRNewswire/ — The Singapore Art Museum (SAM) and Asia Pacific Breweries (APB) Foundation today announced the 15 finalists of the APB Foundation Signature Art Prize 2014. Now in its third installment, the prize spotlights the most compelling contemporary artworks created by artists in the Asia Pacific region over the last three years.

 

Selected by a panel of five eminent judges from around the region, the finalists’ works were chosen from 105 nominated artworks from 24 countries and territories. Innovative and exciting creations from recent years, the contemporary artworks represent the very best of the region and are intentionally not limited by genre. Spanning various mediums from painting to sculpture, photography, video works and performance art, they each address topical issues and collectively shed light not just on our region’s contemporary art landscape but also on the topics and conversations relevant in our society today.

The 15 finalists represent 13 countries and territories including Thailand, South Korea, Pakistan, Japan, Singapore, New Zealand, mainland China, Indonesia, Vietnam, Australia, India, Bangladesh and Taiwan. They include:

  • Golden Teardrop (2013) by Arin Rungjang from Thailand
  • Custos Cavum (Guardian of the hole) (2011) by Choe U-Ram from South Korea
  • Kahani Eik Shehr Ki (story of a city) (2012) by Farida Batool from Pakistan
  • One places / on “the room” (2013) by Go Watanabe from Japan
  • PYTHAGORAS (2013) by Ho Tzu Nyen from Singapore
  • In Pursuit of Venus (2012) by Lisa Reihana from New Zealand
  • Trace (2011) by Liu Jianhua from mainland China
  • I’m a Ghost in My Own House (2012) by Melati Suryodarmo from Indonesia
  • Rankin Street, 1953 (2013) by Naeem Mohaiemen from Bangladesh
  • Unsubtitled (2013) by Nguyen Trinh Thi from Vietnam
  • Infinite Love (2011) by Owen Leong from Australia
  • Letters From A Distance (20122014) by Peng Wei from mainland China
  • House of Opaque Water (2013) by Ranbir Kaleka from India
  • Mirage — Disused Public Property in Taiwan (20102013) by Yao Jui-Chung + Lost Society Document (LSD) from Taiwan
  • Eskimo wolf trap often quoted in sermons (2013) by Zhao Renhui from Singapore

(For detailed artist’ statements and biographies, please visit http://www.singaporeartmuseum.sg/apbfSAP2014.html)

Selecting this year’s Finalists is a judging panel comprising Mr. Chris Saines, Director of Queensland Art Gallery | Gallery of Modern Art; Mr. Feng Boyi, eminent independent art curator and critic of Chinese contemporary art; Ms. Luckana Kunavichayanont, Director of Bangkok Art and Culture Center; Ms. Pooja Sood, Director of KHOJ International Artists’ Association; and Dr. Susie Lingham, Director of Singapore Art Museum.

A statement from the jury panel stated, “We’re excited to be presenting the finalists of the APB Foundation Signature Art Prize 2014. Narrowing the choice from over 100 works to the final 15 involved a rigorous selection process and intensive discussions — testament to the high caliber of entries that were refined, rich and diverse. Overall, the 15 works selected offer a glimpse of the future of our region’s rich and constantly evolving contemporary art scene. The finalist works stood out for their strength of concept and execution and despite stemming from such diverse contexts, histories and cultural backgrounds, cleverly explored similar issues of identity, immigration, urban expansion, depletion of natural resources, fading of old values, cultural diversity and more.”

The work by Arin Rungjang, the only Thai artist shortlisted for the prestigious title, is a video installation that debuted at the Venice Biennale as part of the Thai Pavilion in 2014. Golden Teardrop revisits pivotal moments in Thai history and looks at the human movement and the exchange of cultures.

Other finalists works include Melati Suryodarmo’s I’m a Ghost in My Own House, an intense and powerful 12-hour long performance that sees the artist grind and crush hundreds of kilograms of charcoal, a symbol of life’s energy while Australian Owen Leong’s Infinite Love, a visceral and poetic performance, explores the body as a physical site for social, cultural and political forces in relation to his Asian-Australian identity.

Employing the use of meditative visuals, Go Watanabe’s One places / on “the room” presents a technically challenging and deeply absorbing piece that changes the way we look at time and space; Ranbir Kaleka’s House of Opaque Water uses a narrative structure to present the idea of displacement and society’s response to these situations; and New Zealander Lisa Reihana’s work In Pursuit of Venus reflects the beauty of the Pacific Islands while offering a nuanced critique of its colonial legacies.

Works shortlisted from Singapore include Ho Tzu Nyen’s PYTHAGORAS, a creation that serves as an immersive experience for audiences to explore the concept of the unseen and the concealment of power, sound or the voice; while Zhao Renhui’s seemingly minimalist installation titled Eskimo wolf trap often quoted in sermons, draws on his experience of traveling through the Arctic and being overwhelmed by its starkness. From mainland China the works shortlisted include Liu Jianhua’s Trace, a striking piece inspired by the traditional art forms of calligraphy and porcelain to comment on societal ills and Peng Wei’s Letters from a Distance, which is steeped in traditional practices and utilizes Chinese aesthetic objects like scrolls and leaves melded together with texts from Western philosophers.

And from South Korea, Choe U-Ram’s Custos Cavum (Guardian of the hole) takes the form of a mesmerizing and highly imaginative sculpture that depicts a mythical creature that is at once from the past yet also from an apocalyptic future.

Exemplifying how art has the power to highlight a social issue for scrutiny and exact real change, Yao Jui-Chung & Lost Society Document (LSD)’s Mirage — Disused Public Property in Taiwan is an investigative political work on Taiwan’s ‘mosquito halls’ while Nguyen Trinh Thi’s Unsubtitled looks at freedom of expression through an installation about Nhan Van-Giai Pham — a suppressed literary movement of the 1950s.

Finally, exploring spaces and places, Pakistan’s Farida Batool’s Kahani Eik Shehr Ki (story of a city) brings viewers on a walk down a busy city street in Lahore, capturing the side of a city that people may not know of via 21 long lenticular prints while Naeem Mohaiemen of Bangladesh presents Rankin Street, 1953, an intimate work that reveals the artist’s memories of his family using his family home as the subject and uncovering the past through vintage photograph negatives.

The APB Foundation Signature Art Prize is worth $100,000 with $60,000 awarded to the Grand Prize winner and $15,000 each for two Jurors’ Choice Award winners. A People’s Choice Award of $10,000 will also be offered to the artwork that receives the highest number of public votes via on-site and online submissions (voting opens from 14 November 2014).

The APB Foundation Signature Art Prize Exhibition will take place at SAM from 14 November 2014 to 15 March 2015 with the winners announced at an awards ceremony on 22 January 2015. For more information, please visit the APB Foundation Signature Art Prize webpage at http://www.singaporeartmuseum.sg/apbfSAP2014.html.

About the Asia Pacific Breweries (APB) Foundation

Instituted in June 1994, the APB Foundation seeks to ignite compassion and inspire through our philanthropic efforts. We set resources in motion to help people and organisations improve talents, enhanced educational and research endeavours as well as better living conditions. In turn, we fuel society and enable the communities, where we live and work, to flourish.

Committed to supporting Human Excellence, Creativity Development and Humanitarian Causes, the APB Foundation is involved in a variety of initiatives that range from arts funding and backing talent-building projects for human capital development, to engaging in meaningful partnerships with organisations or individuals who share our common goal to serve the society.

The APB Foundation is a registered charity managed and funded by Heineken Asia Pacific Pte. Ltd. (HEINEKEN Asia Pacific).

About the Singapore Art Museum

The Singapore Art Museum (SAM) focuses on contemporary art practice in Singapore, Southeast Asia and Asia within the global context. It advocates and makes accessible interdisciplinary contemporary art through research-led and evolving curatorial practice. Opened in January 1996, SAM has built up one of the most important collections of contemporary art from the region. It seeks to seed and nourish a stimulating and creative space in Singapore through exhibitions and public programmes. These encompass cross-disciplinary residencies and exchanges, research and publications, as well as outreach and education. SAM was the organiser of the Singapore Biennale in 2011 and 2013.

SAM was incorporated as a Company Limited by Guarantee on 13 November 2013 and has moved from the National Heritage Board to the Visual Arts Cluster (VAC) under the Ministry of Culture, Community and Youth (MCCY). The other institutions under the VAC are the National Art Gallery, Singapore (NAGS), and the Singapore Tyler Print Institute (STPI).

For more information and images of the artists and judges, please contact:

Kimberly Mah

Lynn Sim

Ogilvy Public Relations

Singapore Art Museum

DID: +65-62139940

DID: +65-66979762

Email: kimberly.mah@ogilvy.com

Email: lynn.sim@singaporeartmuseum.sg

Janet Neo

Asia Pacific Breweries Foundation

DID: +65-62763488

Email: janet.neo@heineken.com

Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-a
Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-b

In Pursuit of Venus by Lisa Reihana from New Zealand Shortlisted as Finalist in Third Asia Pacific Breweries Foundation Signature Art Prize

15 finalists vying for SGD 60,000 Grand Prize revealed today

AUCKLAND, New Zealand, Aug. 27, 2014 /PRNewswire/ — The Singapore Art Museum (SAM) and Asia Pacific Breweries (APB) Foundation today announced the 15 finalists of the APB Foundation Signature Art Prize 2014. Now in its third installment, the prize spotlights the most compelling contemporary artworks created by artists in the Asia Pacific region over the last three years.

 

Selected by a panel of five eminent judges from around the region, the finalists’ works were chosen from 105 nominated artworks from 24 countries and territories. Innovative and exciting creations from recent years, the contemporary artworks represent the very best of the region and are intentionally not limited by genre. Spanning various mediums from painting to sculpture, photography, video works and performance art, they each address topical issues and collectively shed light not just on our region’s contemporary art landscape but also on the topics and conversations relevant in our society today.

The 15 finalists represent 13 countries and territories including Thailand, South Korea, Pakistan, Japan, Singapore, New Zealand, mainland China, Indonesia, Vietnam, Australia, India, Bangladesh and Taiwan. They include:

  • Golden Teardrop (2013) by Arin Rungjang from Thailand
  • Custos Cavum (Guardian of the hole) (2011) by Choe U-Ram from South Korea
  • Kahani Eik Shehr Ki (story of a city) (2012) by Farida Batool from Pakistan
  • One places / on “the room” (2013) by Go Watanabe from Japan
  • PYTHAGORAS (2013) by Ho Tzu Nyen from Singapore
  • In Pursuit of Venus (2012) by Lisa Reihana from New Zealand
  • Trace (2011) by Liu Jianhua from mainland China
  • I’m a Ghost in My Own House (2012) by Melati Suryodarmo from Indonesia
  • Rankin Street, 1953 (2013) by Naeem Mohaiemen from Bangladesh
  • Unsubtitled (2013) by Nguyen Trinh Thi from Vietnam
  • Infinite Love (2011) by Owen Leong from Australia
  • Letters From A Distance (20122014) by Peng Wei from mainland China
  • House of Opaque Water (2013) by Ranbir Kaleka from India
  • Mirage — Disused Public Property in Taiwan (20102013) by Yao Jui-Chung + Lost Society Document (LSD) from Taiwan
  • Eskimo wolf trap often quoted in sermons (2013) by Zhao Renhui from Singapore

(For detailed artist’ statements and biographies, please visit http://www.singaporeartmuseum.sg/apbfSAP2014.html)

Selecting this year’s Finalists is a judging panel comprising Mr. Chris Saines, Director of Queensland Art Gallery | Gallery of Modern Art; Mr. Feng Boyi, eminent independent art curator and critic of Chinese contemporary art; Ms. Luckana Kunavichayanont, Director of Bangkok Art and Culture Center; Ms. Pooja Sood, Director of KHOJ International Artists’ Association; and Dr. Susie Lingham, Director of Singapore Art Museum.

A statement from the jury panel stated, “We’re excited to be presenting the finalists of the APB Foundation Signature Art Prize 2014. Narrowing the choice from over 100 works to the final 15 involved a rigorous selection process and intensive discussions — testament to the high caliber of entries that were refined, rich and diverse. Overall, the 15 works selected offer a glimpse of the future of our region’s rich and constantly evolving contemporary art scene. The finalist works stood out for their strength of concept and execution and despite stemming from such diverse contexts, histories and cultural backgrounds, cleverly explored similar issues of identity, immigration, urban expansion, depletion of natural resources, fading of old values, cultural diversity and more.”

Lisa Reihana is the only finalist shortlisted from New Zealand for the prestigious title. Her video installation is a beautiful and spectacular piece titled In Pursuit of Venus which reflects the beauty of the Pacific Islands while offering a nuanced critique of its colonial legacies.

Other finalists works include Melati Suryodarmo’s I’m a Ghost in My Own House, an intense and powerful 12-hour long performance that sees the artist grind and crush hundreds of kilograms of charcoal, a symbol of life’s energy while Australian Owen Leong’s Infinite Love, a visceral and poetic performance, explores the body as a physical site for social, cultural and political forces in relation to his Asian-Australian identity.

Employing the use of meditative visuals, Go Watanabe’s One places / on “the room” presents a technically challenging and deeply absorbing piece that changes the way we look at time and space; Ranbir Kaleka’s House of Opaque Water uses a narrative structure to present the idea of displacement and society’s response to these situations.

Works shortlisted from Singapore include Ho Tzu Nyen’s PYTHAGORAS, a creation that serves as an immersive experience for audiences to explore the concept of the unseen and the concealment of power, sound or the voice; while Zhao Renhui’s seemingly minimalist installation titled Eskimo wolf trap often quoted in sermons, draws on his experience of traveling through the Arctic and being overwhelmed by its starkness.

From mainland China the works shortlisted include Liu Jianhua’s Trace, a striking piece inspired by the traditional art forms of calligraphy and porcelain to comment on societal ills and Peng Wei’s Letters from a Distance, which is steeped in traditional practices and utilizes Chinese aesthetic objects like scrolls and leaves melded together with texts from Western philosophers.

Choe U-Ram’s Custos Cavum (Guardian of the hole) takes the form of a mesmerizing and highly imaginative sculpture that depicts a mythical creature that is at once from the past yet also from an apocalyptic future and Arin Rungjang’s Golden Teardrop, revisits pivotal moments in Thai history and looks at the human movement and the exchange of cultures.

Exemplifying how art has the power to highlight a social issue for scrutiny and exact real change, Yao Jui-Chung & Lost Society Document (LSD)’s Mirage — Disused Public Property in Taiwan is an investigative political work on Taiwan’s ‘mosquito halls’ while Nguyen Trinh Thi‘s Unsubtitled looks at freedom of expression through an installation about Nhan Van-Giai Pham — a suppressed literary movement of the 1950s.

Finally, exploring spaces and places, Pakistan’s Farida Batool’s Kahani Eik Shehr Ki (story of a city) brings viewers on a walk down a busy city street in Lahore, capturing the side of a city that people may not know of via 21 long lenticular prints while Naeem Mohaiemen of Bangladesh presents Rankin Street, 1953, an intimate work that reveals the artist’s memories of his family using his family home as the subject and uncovering the past through vintage photograph negatives.

The APB Foundation Signature Art Prize is worth $100,000 with $60,000 awarded to the Grand Prize winner and $15,000 each for two Jurors’ Choice Award winners. A People’s Choice Award of $10,000 will also be offered to the artwork that receives the highest number of public votes via on-site and online submissions (voting opens from 14 November 2014).

The APB Foundation Signature Art Prize Exhibition will take place at SAM from 14 November 2014 to 15 March 2015 with the winners announced at an awards ceremony on 22 January 2015. For more information, please visit the APB Foundation Signature Art Prize webpage at http://www.singaporeartmuseum.sg/apbfSAP2014.html.

About the Asia Pacific Breweries (APB) Foundation

Instituted in June 1994, the APB Foundation seeks to ignite compassion and inspire through our philanthropic efforts. We set resources in motion to help people and organisations improve talents, enhanced educational and research endeavours as well as better living conditions. In turn, we fuel society and enable the communities, where we live and work, to flourish.

Committed to supporting Human Excellence, Creativity Development and Humanitarian Causes, the APB Foundation is involved in a variety of initiatives that range from arts funding and backing talent-building projects for human capital development, to engaging in meaningful partnerships with organisations or individuals who share our common goal to serve the society.

The APB Foundation is a registered charity managed and funded by Heineken Asia Pacific Pte. Ltd. (HEINEKEN Asia Pacific).

About the Singapore Art Museum

The Singapore Art Museum (SAM) focuses on contemporary art practice in Singapore, Southeast Asia and Asia within the global context. It advocates and makes accessible interdisciplinary contemporary art through research-led and evolving curatorial practice. Opened in January 1996, SAM has built up one of the most important collections of contemporary art from the region. It seeks to seed and nourish a stimulating and creative space in Singapore through exhibitions and public programmes. These encompass cross-disciplinary residencies and exchanges, research and publications, as well as outreach and education. SAM was the organiser of the Singapore Biennale in 2011 and 2013.

SAM was incorporated as a Company Limited by Guarantee on 13 November 2013 and has moved from the National Heritage Board to the Visual Arts Cluster (VAC) under the Ministry of Culture, Community and Youth (MCCY). The other institutions under the VAC are the National Art Gallery, Singapore (NAGS), and the Singapore Tyler Print Institute (STPI).

For more information and images of the artists and judges, please contact:

Kimberly Mah

Lynn Sim

Ogilvy Public Relations

Singapore Art Museum

DID: +65-62139940

DID: +65-66979762

Email: kimberly.mah@ogilvy.com

Email: lynn.sim@singaporeartmuseum.sg

Janet Neo

Asia Pacific Breweries Foundation

DID: +65-62763488

Email: janet.neo@heineken.com

Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-a
Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-b

 

Infinite Love by Owen Leong from Australia Shortlisted as Finalist in Third Asia Pacific Breweries Foundation Signature Art Prize

15 finalists vying for SGD 60,000 Grand Prize revealed today

SYDNEY, Aug. 27, 2014 /PRNewswire/ — The Singapore Art Museum (SAM) and Asia Pacific Breweries (APB) Foundation today announced the 15 finalists of the APB Foundation Signature Art Prize 2014. Now in its third installment, the prize spotlights the most compelling contemporary artworks created by artists in the Asia Pacific region over the last three years.

The Singapore Art Museum (SAM) Logo

Selected by a panel of five eminent judges from around the region, the finalists’ works were chosen from 105 nominated artworks from 24 countries and territories. Innovative and exciting creations from recent years, the contemporary artworks represent the very best of the region and are intentionally not limited by genre. Spanning various mediums from painting to sculpture, photography, video works and performance art, they each address topical issues and collectively shed light not just on our region’s contemporary art landscape but also on the topics and conversations relevant in our society today.

The 15 finalists represent 13 countries and territories including Thailand, South Korea, Pakistan, Japan, Singapore, New Zealand, mainland China, Indonesia, Vietnam, Australia, India, Bangladesh and Taiwan. They include:

  • Golden Teardrop (2013) by Arin Rungjang from Thailand
  • Custos Cavum (Guardian of the hole) (2011) by Choe U-Ram from South Korea
  • Kahani Eik Shehr Ki (story of a city) (2012) by Farida Batool from Pakistan
  • One places / on “the room” (2013) by Go Watanabe from Japan
  • PYTHAGORAS (2013) by Ho Tzu Nyen from Singapore
  • In Pursuit of Venus (2012) by Lisa Reihana from New Zealand
  • Trace (2011) by Liu Jianhua from mainland China
  • I’m a Ghost in My Own House (2012) by Melati Suryodarmo from Indonesia
  • Rankin Street, 1953 (2013) by Naeem Mohaiemen from Bangladesh
  • Unsubtitled (2013) by Nguyen Trinh Thi from Vietnam
  • Infinite Love (2011) by Owen Leong from Australia
  • Letters From A Distance (20122014) by Peng Wei from mainland China
  • House of Opaque Water (2013) by Ranbir Kaleka from India
  • Mirage — Disused Public Property in Taiwan (20102013) by Yao Jui-Chung + Lost Society Document (LSD) from Taiwan
  • Eskimo wolf trap often quoted in sermons (2013) by Zhao Renhui from Singapore

(For detailed artist’ statements and biographies, please visit http://www.singaporeartmuseum.sg/apbfSAP2014.html)

Selecting this year’s Finalists is a judging panel comprising Mr. Chris Saines, Director of Queensland Art Gallery | Gallery of Modern Art; Mr. Feng Boyi, eminent independent art curator and critic of Chinese contemporary art; Ms. Luckana Kunavichayanont, Director of Bangkok Art and Culture Center; Ms. Pooja Sood, Director of KHOJ International Artists’ Association; and Dr. Susie Lingham, Director of Singapore Art Museum.

A statement from the jury panel stated, “We’re excited to be presenting the finalists of the APB Foundation Signature Art Prize 2014. Narrowing the choice from over 100 works to the final 15 involved a rigorous selection process and intensive discussions — testament to the high caliber of entries that were refined, rich and diverse. Overall, the 15 works selected offer a glimpse of the future of our region’s rich and constantly evolving contemporary art scene. The finalist works stood out for their strength of concept and execution and despite stemming from such diverse contexts, histories and cultural backgrounds, cleverly explored similar issues of identity, immigration, urban expansion, depletion of natural resources, fading of old values, cultural diversity and more.”

Owen Leong’s Infinite Love, a subtle video that is cleanly positioned yet extremely violent, is the only Australian artist shortlisted for the prestigious title. Infinite Love is a visceral and poetic performance that explores the body as a physical site for social, cultural and political forces in relation to his Asian-Australian identity.

Other finalists works include Melati Suryodarmo’s I’m a Ghost in My Own House, an intense and powerful 12-hour long performance that sees the artist grind and crush hundreds of kilograms of charcoal, a symbol of life’s energy. Choe U-Ram’s Custos Cavum (Guardian of the hole) takes the form of a mesmerizing and highly imaginative sculpture that depicts a mythical creature that is at once from the past yet also from an apocalyptic future and Arin Rungjang’s Golden Teardrop, revisits pivotal moments in Thai history and looks at the human movement and the exchange of cultures.

Employing the use of meditative visuals, Go Watanabe’s One places / on “the room” presents a technically challenging and deeply absorbing piece that changes the way we look at time and space; Ranbir Kaleka’s House of Opaque Water uses a narrative structure to present the idea of displacement and society’s response to these situations; and New Zealander Lisa Reihana’s work In Pursuit of Venus reflects the beauty of the Pacific Islands while offering a nuanced critique of its colonial legacies.

Works shortlisted from Singapore include Ho Tzu Nyen’s PYTHAGORAS, a creation that serves as an immersive experience for audiences to explore the concept of the unseen and the concealment of power, sound or the voice; while Zhao Renhui’s seemingly minimalist installation titled Eskimo wolf trap often quoted in sermons, draws on his experience of traveling through the Arctic and being overwhelmed by its starkness.

From mainland China the works shortlisted include Liu Jianhua’s Trace, a striking piece inspired by the traditional art forms of calligraphy and porcelain to comment on societal ills and Peng Wei’s Letters from a Distance, which is steeped in traditional practices and utilizes Chinese aesthetic objects like scrolls and leaves melded together with texts from Western philosophers.

Exemplifying how art has the power to highlight a social issue for scrutiny and exact real change, Yao Jui-Chung & Lost Society Document (LSD)’s Mirage — Disused Public Property in Taiwan is an investigative political work on Taiwan’s mosquito halls while Nguyen Trinh Thi‘s Unsubtitled looks at freedom of expression through an installation about Nhan Van-Giai Pham — a suppressed literary movement of the 1950s.

Finally, exploring spaces and places, Pakistan’s Farida Batool’s Kahani Eik Shehr Ki (story of a city) brings viewers on a walk down a busy city street in Lahore, capturing the side of a city that people may not know of via 21 long lenticular prints while Naeem Mohaiemen of Bangladesh presents Rankin Street, 1953, an intimate work that reveals the artist’s memories of his family using his family home as the subject and uncovering the past through vintage photograph negatives.

The APB Foundation Signature Art Prize is worth $100,000 with $60,000 awarded to the Grand Prize winner and $15,000 each for two Jurors’ Choice Award winners. A People’s Choice Award of $10,000 will also be offered to the artwork that receives the highest number of public votes via on-site and online submissions (voting opens from 14 November 2014).

The APB Foundation Signature Art Prize Exhibition will take place at SAM from 14 November 2014 to 15 March 2015 with the winners announced at an awards ceremony on 22 January 2015. For more information, please visit the APB Foundation Signature Art Prize webpage at http://www.singaporeartmuseum.sg/apbfSAP2014.html.

About the Asia Pacific Breweries (APB) Foundation

Instituted in June 1994, the APB Foundation seeks to ignite compassion and inspire through our philanthropic efforts. We set resources in motion to help people and organisations improve talents, enhanced educational and research endeavours as well as better living conditions. In turn, we fuel society and enable the communities, where we live and work, to flourish.

Committed to supporting Human Excellence, Creativity Development and Humanitarian Causes, the APB Foundation is involved in a variety of initiatives that range from arts funding and backing talent-building projects for human capital development, to engaging in meaningful partnerships with organisations or individuals who share our common goal to serve the society.

The APB Foundation is a registered charity managed and funded by Heineken Asia Pacific Pte. Ltd. (HEINEKEN Asia Pacific).

About the Singapore Art Museum

The Singapore Art Museum (SAM) focuses on contemporary art practice in Singapore, Southeast Asia and Asia within the global context. It advocates and makes accessible interdisciplinary contemporary art through research-led and evolving curatorial practice. Opened in January 1996, SAM has built up one of the most important collections of contemporary art from the region. It seeks to seed and nourish a stimulating and creative space in Singapore through exhibitions and public programmes. These encompass cross-disciplinary residencies and exchanges, research and publications, as well as outreach and education. SAM was the organiser of the Singapore Biennale in 2011 and 2013.

SAM was incorporated as a Company Limited by Guarantee on 13 November 2013 and has moved from the National Heritage Board to the Visual Arts Cluster (VAC) under the Ministry of Culture, Community and Youth (MCCY). The other institutions under the VAC are the National Art Gallery, Singapore (NAGS), and the Singapore Tyler Print Institute (STPI).

For more information and images of the artists and judges, please contact:

Kimberly Mah

Lynn Sim

Ogilvy Public Relations

Singapore Art Museum

DID: +65-62139940

DID: +65-66979762

Email: kimberly.mah@ogilvy.com

Email: lynn.sim@singaporeartmuseum.sg

Janet Neo

Asia Pacific Breweries Foundation

DID: +65-62763488

Email: janet.neo@heineken.com

Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-a
Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-b

I’m a Ghost in My Own House by Melati Suryodarmo from Indonesia Shortlisted as Finalist in Third Asia Pacific Breweries Foundation Signature Art Prize

15 finalists vying for SGD 60,000 Grand Prize revealed today

SURAKARTA, Indonesia, Aug. 27, 2014 /PRNewswire/ — The Singapore Art Museum (SAM) and Asia Pacific Breweries (APB) Foundation today announced the 15 finalists of the APB Foundation Signature Art Prize 2014. Now in its third installment, the prize spotlights the most compelling contemporary artworks created by artists in the Asia Pacific region over the last three years.

 

The Singapore Art Museum (SAM) Logo

Selected by a panel of five eminent judges from around the region, the finalists’ works were chosen from 105 nominated artworks from 24 countries and territories. Innovative and exciting creations from recent years, the contemporary artworks represent the very best of the region and are intentionally not limited by genre. Spanning various mediums from painting to sculpture, photography, video works and performance art, they each address topical issues and collectively shed light not just on our region’s contemporary art landscape but also on the topics and conversations relevant in our society today.

The 15 finalists represent 13 countries and territories including Thailand, South Korea, Pakistan, Japan, Singapore, New Zealand, mainland China, Indonesia, Vietnam, Australia, India, Bangladesh and Taiwan. They include:

  • Golden Teardrop (2013) by Arin Rungjang from Thailand
  • Custos Cavum (Guardian of the hole) (2011) by Choe U-Ram from South Korea
  • Kahani Eik Shehr Ki (story of a city) (2012) by Farida Batool from Pakistan
  • One places / on “the room” (2013) by Go Watanabe from Japan
  • PYTHAGORAS (2013) by Ho Tzu Nyen from Singapore
  • In Pursuit of Venus (2012) by Lisa Reihana from New Zealand
  • Trace (2011) by Liu Jianhua from mainland China
  • I’m a Ghost in My Own House (2012) by Melati Suryodarmo from Indonesia
  • Rankin Street, 1953 (2013) by Naeem Mohaiemen from Bangladesh
  • Unsubtitled (2013) by Nguyen Trinh Thi from Vietnam
  • Infinite Love (2011) by Owen Leong from Australia
  • Letters From A Distance (2012-2014) by Peng Wei from mainland China
  • House of Opaque Water (2013) by Ranbir Kaleka from India
  • Mirage — Disused Public Property in Taiwan (2010-2013) by Yao Jui-Chung + Lost Society Document (LSD) from Taiwan
  • Eskimo wolf trap often quoted in sermons (2013) by Zhao Renhui from Singapore

(For detailed artist’ statements and biographies, please visit http://www.singaporeartmuseum.sg/apbfSAP2014.html)

Selecting this year’s Finalists is a judging panel comprising Mr. Chris Saines, Director of Queensland Art Gallery | Gallery of Modern Art; Mr. Feng Boyi, eminent independent art curator and critic of Chinese contemporary art; Ms. Luckana Kunavichayanont, Director of Bangkok Art and Culture Center; Ms. Pooja Sood, Director of KHOJ International Artists’ Association; and Dr. Susie Lingham, Director of Singapore Art Museum.

A statement from the jury panel stated, “We’re excited to be presenting the finalists of the APB Foundation Signature Art Prize 2014. Narrowing the choice from over 100 works to the final 15 involved a rigorous selection process and intensive discussions — testament to the high caliber of entries that were refined, rich and diverse. Overall, the 15 works selected offer a glimpse of the future of our region’s rich and constantly evolving contemporary art scene. The finalist works stood out for their strength of concept and execution and despite stemming from such diverse contexts, histories and cultural backgrounds, cleverly explored similar issues of identity, immigration, urban expansion, depletion of natural resources, fading of old values, cultural diversity and more.”

I’m a Ghost in My Own House by Melati Suryodarmo, the only Indonesian finalist shortlisted for the prestigious title, is an intense and powerful 12-hour long performance that sees the artist grind and crush hundreds of kilograms of charcoal, a symbol of life’s energy.

Other finalists works include Australian Owen Leong’s Infinite Love, a visceral and poetic performance, explores the body as a physical site for social, cultural and political forces in relation to his Asian-Australian identity.

Employing the use of meditative visuals, Go Watanabe’s One places / on “the room” presents a technically challenging and deeply absorbing piece that changes the way we look at time and space; Ranbir Kaleka’s House of Opaque Water uses a narrative structure to present the idea of displacement and society’s response to these situations; and New Zealander Lisa Reihana’s work In Pursuit of Venus reflects the beauty of the Pacific Islands while offering a nuanced critique of its colonial legacies.

From mainland China the works shortlisted include Liu Jianhua’s Trace, a striking piece inspired by the traditional art forms of calligraphy and porcelain to comment on societal ills and Peng Wei’s Letters from a Distance, which is steeped in traditional practices and utilizes Chinese aesthetic objects like scrolls and leaves melded together with texts from Western philosophers.

Choe U-Ram’s Custos Cavum (Guardian of the hole) takes the form of a mesmerizing and highly imaginative sculpture that depicts a mythical creature that is at once from the past yet also from an apocalyptic future and Arin Rungjang’s Golden Teardrop, revisits pivotal moments in Thai history and looks at the human movement and the exchange of cultures.

Works shortlisted from Singapore include Ho Tzu Nyen’s PYTHAGORAS, a creation that serves as an immersive experience for audiences to explore the concept of the unseen and the concealment of power, sound or the voice; while Zhao Renhui’s seemingly minimalist installation titled Eskimo wolf trap often quoted in sermons, draws on his experience of traveling through the Arctic and being overwhelmed by its starkness.

Exemplifying how art has the power to highlight a social issue for scrutiny and exact real change, Yao Jui-Chung & Lost Society Document (LSD)’s Mirage — Disused Public Property in Taiwan is an investigative political work on Taiwan’s ‘mosquito halls’ while Nguyen Trinh Thi Unsubtitled looks at freedom of expression through an installation about Nhan Van-Giai Pham — a suppressed literary movement of the 1950s.

Finally, exploring spaces and places, Pakistan’s Farida Batool’s Kahani Eik Shehr Ki (story of a city) brings viewers on a walk down a busy city street in Lahore, capturing the side of a city that people may not know of via 21 long lenticular prints while Naeem Mohaiemen of Bangladesh presents Rankin Street, 1953, an intimate work that reveals the artist’s memories of his family using his family home as the subject and uncovering the past through vintage photograph negatives.

The APB Foundation Signature Art Prize is worth $100,000 with $60,000 awarded to the Grand Prize winner and $15,000 each for two Jurors’ Choice Award winners. A People’s Choice Award of $10,000 will also be offered to the artwork that receives the highest number of public votes via on-site and online submissions (voting opens from 14 November 2014).

The APB Foundation Signature Art Prize Exhibition will take place at SAM from 14 November 2014 to 15 March 2015 with the winners announced at an awards ceremony on 22 January 2015. For more information, please visit the APB Foundation Signature Art Prize webpage at http://www.singaporeartmuseum.sg/apbfSAP2014.html.

About the Asia Pacific Breweries (APB) Foundation

Instituted in June 1994, the APB Foundation seeks to ignite compassion and inspire through our philanthropic efforts. We set resources in motion to help people and organisations improve talents, enhanced educational and research endeavours as well as better living conditions. In turn, we fuel society and enable the communities, where we live and work, to flourish.

Committed to supporting Human Excellence, Creativity Development and Humanitarian Causes, the APB Foundation is involved in a variety of initiatives that range from arts funding and backing talent-building projects for human capital development, to engaging in meaningful partnerships with organisations or individuals who share our common goal to serve the society.

The APB Foundation is a registered charity managed and funded by Heineken Asia Pacific Pte. Ltd. (HEINEKEN Asia Pacific).

About the Singapore Art Museum

The Singapore Art Museum (SAM) focuses on contemporary art practice in Singapore, Southeast Asia and Asia within the global context. It advocates and makes accessible interdisciplinary contemporary art through research-led and evolving curatorial practice. Opened in January 1996, SAM has built up one of the most important collections of contemporary art from the region. It seeks to seed and nourish a stimulating and creative space in Singapore through exhibitions and public programmes. These encompass cross-disciplinary residencies and exchanges, research and publications, as well as outreach and education. SAM was the organiser of the Singapore Biennale in 2011 and 2013.

SAM was incorporated as a Company Limited by Guarantee on 13 November 2013 and has moved from the National Heritage Board to the Visual Arts Cluster (VAC) under the Ministry of Culture, Community and Youth (MCCY). The other institutions under the VAC are the National Art Gallery, Singapore (NAGS), and the Singapore Tyler Print Institute (STPI).

For more information and images of the artists and judges, please contact:

Kimberly Mah

Lynn Sim

Ogilvy Public Relations

Singapore Art Museum

DID: +65-6213-9940

DID: +65-6697-9762

Email: kimberly.mah@ogilvy.com

Email: lynn.sim@singaporeartmuseum.sg

Janet Neo

Asia Pacific Breweries Foundation

DID: +65-6276-3488

Email: janet.neo@heineken.com

Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-a
Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-b

Unsubtitled by Nguyen Trinh Thi from Vietnam Shortlisted as Finalist in Third Asia Pacific Breweries Foundation Signature Art Prize

15 finalists vying for SGD 60,000 Grand Prize revealed today

HANOI, Vietnam, Aug. 27, 2014 /PRNewswire/ — The Singapore Art Museum (SAM) and Asia Pacific Breweries (APB) Foundation today announced the 15 finalists of the APB Foundation Signature Art Prize 2014. Now in its third installment, the prize spotlights the most compelling contemporary artworks created by artists in the Asia Pacific region over the last three years.

Selected by a panel of five eminent judges from around the region, the finalists’ works were chosen from 105 nominated artworks from 24 countries and territories. Innovative and exciting creations from recent years, the contemporary artworks represent the very best of the region and are intentionally not limited by genre. Spanning various mediums from painting to sculpture, photography, video works and performance art, they each address topical issues and collectively shed light not just on our region’s contemporary art landscape but also on the topics and conversations relevant in our society today.

The 15 finalists represent 13 countries and territories including Thailand, South Korea, Pakistan, Japan, Singapore, New Zealand, mainland China, Indonesia, Vietnam, Australia, India, Bangladesh and Taiwan. They include:

  • Golden Teardrop (2013) by Arin Rungjang from Thailand
  • Custos Cavum (Guardian of the hole) (2011) by Choe U-Ram from South Korea
  • Kahani Eik Shehr Ki (story of a city) (2012) by Farida Batool from Pakistan
  • One places / on “the room” (2013) by Go Watanabe from Japan
  • PYTHAGORAS (2013) by Ho Tzu Nyen from Singapore
  • In Pursuit of Venus (2012) by Lisa Reihana from New Zealand
  • Trace (2011) by Liu Jianhua from China
  • I’m a Ghost in My Own House (2012) by Melati Suryodarmo from Indonesia
  • Rankin Street, 1953 (2013) by Naeem Mohaiemen from Bangladesh
  • Unsubtitled (2013) by Nguyen Trinh Thi from Vietnam
  • Infinite Love (2011) by Owen Leong from Australia
  • Letters From A Distance (20122014) by Peng Wei from mainland China
  • House of Opaque Water (2013) by Ranbir Kaleka from India
  • Mirage — Disused Public Property in Taiwan (20102013) by Yao Jui-Chung + Lost Society Document (LSD) from Taiwan
  • Eskimo wolf trap often quoted in sermons (2013) by Zhao Renhui from Singapore

(For detailed artist’ statements and biographies, please visit http://www.singaporeartmuseum.sg/apbfSAP2014.html)

Selecting this year’s Finalists is a judging panel comprising Mr. Chris Saines, Director of Queensland Art Gallery | Gallery of Modern Art; Mr. Feng Boyi, eminent independent art curator and critic of Chinese contemporary art; Ms. Luckana Kunavichayanont, Director of Bangkok Art and Culture Center; Ms. Pooja Sood, Director of KHOJ International Artists’ Association; and Dr. Susie Lingham, Director of Singapore Art Museum.

A statement from the jury panel stated, “We’re excited to be presenting the finalists of the APB Foundation Signature Art Prize 2014. Narrowing the choice from over 100 works to the final 15 involved a rigorous selection process and intensive discussions — testament to the high caliber of entries that were refined, rich and diverse. Overall, the 15 works selected offer a glimpse of the future of our region’s rich and constantly evolving contemporary art scene. The finalist works stood out for their strength of concept and execution and despite stemming from such diverse contexts, histories and cultural backgrounds, cleverly explored similar issues of identity, immigration, urban expansion, depletion of natural resources, fading of old values, cultural diversity and more.”

Unsubtitled by Nguyen Trihn Thi is the only Vietnamese work shortlisted for the prestigious title. Her work is a hauntingly thought-provoking video installation that looks at freedom of expression through an installation about Nhan Van-Giai Pham — a suppressed literary movement of the 1950s.

Other finalists works include Melati Suryodarmo’s I’m a Ghost in My Own House, an intense and powerful 12-hour long performance that sees the artist grind and crush hundreds of kilograms of charcoal, a symbol of life’s energy while Australian Owen Leong’s Infinite Love, a visceral and poetic performance, explores the body as a physical site for social, cultural and political forces in relation to his Asian-Australian identity.

Employing the use of meditative visuals, Go Watanabe’s One places / on “the room” presents a technically challenging and deeply absorbing piece that changes the way we look at time and space; Ranbir Kaleka’s House of Opaque Water uses a narrative structure to present the idea of displacement and society’s response to these situations; and New Zealander Lisa Reihana’s work In Pursuit of Venus reflects the beauty of the Pacific Islands while offering a nuanced critique of its colonial legacies.

From mainland China the works shortlisted include Liu Jianhua’s Trace, a striking piece inspired by the traditional art forms of calligraphy and porcelain to comment on societal ills and Peng Wei’s Letters from a Distance, which is steeped in traditional practices and utilizes Chinese aesthetic objects like scrolls and leaves melded together with texts from Western philosophers.

Works shortlisted from Singapore include Ho Tzu Nyen’s PYTHAGORAS, a creation that serves as an immersive experience for audiences to explore the concept of the unseen and the concealment of power, sound or the voice; while Zhao Renhui’s seemingly minimalist installation titled Eskimo wolf trap often quoted in sermons, draws on his experience of traveling through the Arctic and being overwhelmed by its starkness. Choe U-Ram’s Custos Cavum (Guardian of the hole) takes the form of a mesmerizing and highly imaginative sculpture that depicts a mythical creature that is at once from the past yet also from an apocalyptic future and Arin Rungjang’s Golden Teardrop, revisits pivotal moments in Thai history and looks at the human movement and the exchange of cultures.

Exemplifying how art has the power to highlight a social issue for scrutiny and exact real change, Yao Jui-Chung & Lost Society Document (LSD)’s Mirage — Disused Public Property in Taiwan is an investigative political work on Taiwan’s mosquito halls.

Finally, exploring spaces and places, Pakistan’s Farida Batool’s Kahani Eik Shehr Ki (story of a city) brings viewers on a walk down a busy city street in Lahore, capturing the side of a city that people may not know of via 21 long lenticular prints while Naeem Mohaiemen of Bangladesh presents Rankin Street, 1953, an intimate work that reveals the artist’s memories of his family using his family home as the subject and uncovering the past through vintage photograph negatives.

The APB Foundation Signature Art Prize is worth $100,000 with $60,000 awarded to the Grand Prize winner and $15,000 each for two Jurors’ Choice Award winners. A People’s Choice Award of $10,000 will also be offered to the artwork that receives the highest number of public votes via on-site and online submissions (voting opens from 14 November 2014).

The APB Foundation Signature Art Prize Exhibition will take place at SAM from 14 November 2014 to 15 March 2015 with the winners announced at an awards ceremony on 22 January 2015. For more information, please visit the APB Foundation Signature Art Prize webpage at http://www.singaporeartmuseum.sg/apbfSAP2014.html.

About the Asia Pacific Breweries (APB) Foundation

Instituted in June 1994, the APB Foundation seeks to ignite compassion and inspire through our philanthropic efforts. We set resources in motion to help people and organisations improve talents, enhanced educational and research endeavours as well as better living conditions. In turn, we fuel society and enable the communities, where we live and work, to flourish.

Committed to supporting Human Excellence, Creativity Development and Humanitarian Causes, the APB Foundation is involved in a variety of initiatives that range from arts funding and backing talent-building projects for human capital development, to engaging in meaningful partnerships with organisations or individuals who share our common goal to serve the society.

The APB Foundation is a registered charity managed and funded by Heineken Asia Pacific Pte. Ltd. (HEINEKEN Asia Pacific).

About the Singapore Art Museum

The Singapore Art Museum (SAM) focuses on contemporary art practice in Singapore, Southeast Asia and Asia within the global context. It advocates and makes accessible interdisciplinary contemporary art through research-led and evolving curatorial practice. Opened in January 1996, SAM has built up one of the most important collections of contemporary art from the region. It seeks to seed and nourish a stimulating and creative space in Singapore through exhibitions and public programmes. These encompass cross-disciplinary residencies and exchanges, research and publications, as well as outreach and education. SAM was the organiser of the Singapore Biennale in 2011 and 2013.

SAM was incorporated as a Company Limited by Guarantee on 13 November 2013 and has moved from the National Heritage Board to the Visual Arts Cluster (VAC) under the Ministry of Culture, Community and Youth (MCCY). The other institutions under the VAC are the National Art Gallery, Singapore (NAGS), and the Singapore Tyler Print Institute (STPI).

For more information and images of artists and judges, please contact:

Kimberly Mah

Lynn Sim

Ogilvy Public Relations

Singapore Art Museum

DID: +65-62139940

DID: +65-66979762

Email: kimberly.mah@ogilvy.com

Email: lynn.sim@singaporeartmuseum.sg

Janet Neo

Asia Pacific Breweries Foundation

DID: +65-62763488

Email: janet.neo@heineken.com

Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-a
Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-b

Toyota Holds Eighth Dream Car Art Contest Awards Ceremony

TOKYO, Aug. 27, 2014 /PRNewswire/ — Toyota Motor Corporation held an awards ceremony for the eighth Toyota Dream Car Art Contest at Mega Web, Toyota’s vehicle experience facility in Tokyo’s Koto Ward on August 27.

A total of 662,898 art works from 75 countries and regions were submitted to the contest. In each of three age categories (seven and under, eight to 11, and 12 to 15), one Gold, two Silver, three Bronze, and four Best Finalist awards were presented. In addition, one entry was selected for the special President Toyoda Award. The award ceremony was attended by the 31 award winners and their parents and guardians, representing 22 countries and regions.

The Gold award winners were Thanh Mai Bui (age 6) of Vietnam for “Super Crab Car”, Jirawat Yodsing (age 10) of Thailand for “Wat Pho Massage Car”, and Iasmina-Maria Raceanu (age 16; 15 at the time of submission) of Romania for “STORYOTA”. Mealaksey Pha (age 5) of Cambodia won the President Toyoda award for “Smart Fish Car”.

The award-winning entries and photo of ceremony of August 27 can be viewed and downloaded from the Toyota Dream Car Art Contest press site at http://www.image.net/dream_car_art_contest_2014.

Please note that images from the event will be posted at around 2:00 p.m. on August 27 (Tokyo time).

About the Toyota Dream Car Art Contest

Conducted as part of Toyota’s social contribution activities, the Toyota Dream Car Art Contest is open to children 15 years of age and below worldwide. The contest, first conducted in 2004, gives children throughout the world the opportunity to develop an interest in cars and helps them feel the joy and importance of having a dream.

Local contests were held from October 2013 through March 2014, with 670 outstanding entries selected to progress to the world contest held in Japan. TMC President Akio Toyoda led a jury consisting of outside experts in art and automotive science in selecting the winners.

Contact:

Midori Kobayashi, Masako Kitamura
Toyota Motor Sales & Marketing Corporation
Tel: +81-3-3817-9460
e-mail: toyotadreamcar@tmsm.co.jp

Frost & Sullivan Applauds Volpara Solutions’ Clear Vision in Identifying the Importance of Dose Tracking and Quantitative Analytics in the Early Detection of Breast Cancer

Volpara Solutions is the only company with a dose measurement tool specifically for breast imaging

MOUNTAIN VIEW, Calif., Aug. 26, 2014 /PRNewswire/ — Based on its recent analysis of the breast imaging solutions market, Frost & Sullivan recognizes Volpara Solutions with the 2014 North American Frost & Sullivan Award for Technology Innovation Leadership. Volpara Solutions offers an innovative range of volumetric breast imaging solutions for the early detection of breast cancer. Over the past few years, the company has steadily introduced several new solutions and has expanded its global reach to cover the United States, Europe, Asia and Australia.

Volpara’s suite of quantitative solutions includes VolparaDose, VolparaDensity, VolparaAnalytics and VolparaResearch. The Density and Dose solutions are patient-specific, while the Analytics and Research solutions are clinic-wide monitoring tools.

VolparaDensity automatically generates an objective measurement of volumetric breast density and a FDA-cleared BI-RADS breast density category, while VolparaDose helps keep track of patient-specific dose exposure. VolparaAnalytics assists in quality assurance by monitoring critical elements of the breast imaging process and generating key metrics to help understand the performance of technologists, readers, and mammography and tomosynthesis machines. VolparaResearch is aimed at research facilities that are looking to analyze large datasets of breast measurement information captured across time.

“Frost & Sullivan lauds Volpara Solutions for continuous leadership in technology innovation, thoughtfulness in identifying the unmet need for dose tracking in breast imaging, and a clear vision for what analytics can achieve in the early detection and treatment of breast cancer. Furthermore, all of the applications are built to serve across both full-field digital mammography and digital tomosynthesis systems, and with multi-vendor compatibility and reproducible data,” said Frost & Sullivan Research Director, Advanced Medical Technologies Group, Siddharth Saha. “This is of high relevance in the industry, as tomosynthesis is quickly gaining currency, with 30 percent of the members of the Society of Breast Imaging in the U.S. already using it.”

VolparaDose, along with VolparaAnalytics, gives radiologists patient-specific quantitative data to help minimize dose in mammography and tomosynthesis while maintaining image quality. While several market participants offer breast density measurement tools, Frost & Sullivan confirms that Volpara Solutions is the only company with a dose measurement tool specifically for breast imaging. It is necessary to measure volumetric breast density to control the dose, and Volpara Solutions has emerged as a pioneer in leveraging the Mega Trend of Dose Reduction by acknowledging patient-specific dose tracking and reporting as a white-space opportunity.

Furthermore, by enabling radiologists to track density and dose scores across time, Volpara Solutions helps support the movement toward the personalization of breast screening. Women with lower density have a lower risk of breast cancer, and researchers are looking at incorporating breast density into risk models that may support personalized screening protocols, which can include the best adjuvant imaging options for that woman (including breast tomosynthesis, automated whole breast ultrasound, molecular breast imaging, and breast MRI) as well as the frequency of screening.

“We are very proud to be recognized for the innovative solutions we have brought to the breast imaging market and for our vision and commitment to address unmet needs in the detection, prevention and treatment of breast cancer,” noted Ralph Highnam, Ph.D., Volpara Solutions’ CEO and chief scientist. “By allowing researchers across the globe to compare data to detect geographical, racial and age-related trends, we hope to take breast cancer research to the next level, which could lead to the development of predictive analytical models that will revolutionize early detection of breast cancer and save lives.”

Each year, Frost & Sullivan presents this award to the company that has demonstrated uniqueness in developing and leveraging new technologies, which significantly impacts both the functionality and the customer value of the new products and applications. The award lauds the high R&D spend toward innovation, its relevance to the industry and the positive impact on brand perception.

Frost & Sullivan’s Best Practices Awards recognize companies in a variety of regional and global markets for outstanding achievement in areas such as leadership, technological innovation, customer service, and product development. Industry analysts compare market participants and measure performance through in-depth interviews, analysis, and extensive secondary research.

About Volpara Solutions

Founded to enable radiologists to give women the most accurate information possible regarding their breast health, Volpara Solutions is the wholly owned sales and marketing arm of Matakina Technology Limited of New Zealand. Matakina’s founders and Board of Directors include John Hood, Ph.D., former Vice Chancellor of the University of Oxford, UK; Ralph Highnam, Ph.D., former CEO of Mirada Solutions, one of the University of Oxford’s most successful spin-outs of recent times, and co-author of the seminal book Mammographic Image Analysis; and Professor Sir Michael Brady, a serial entrepreneur who recently retired from the University of Oxford, where he was Professor of Information Technology for 25 years.

About Frost & Sullivan

Frost & Sullivan, the Growth Partnership Company, works in collaboration with clients to leverage visionary innovation that addresses the global challenges and related growth opportunities that will make or break today’s market participants.

Our “Growth Partnership” supports clients by addressing these opportunities and incorporating two key elements driving visionary innovation: The Integrated Value Proposition and The Partnership Infrastructure.

  • The Integrated Value Proposition provides support to our clients throughout all phases of their journey to visionary innovation including: research, analysis, strategy, vision, innovation and implementation.
  • The Partnership Infrastructure is entirely unique as it constructs the foundation upon which visionary innovation becomes possible. This includes our 360 degree research, comprehensive industry coverage, career best practices as well as our global footprint of more than 40 offices.

For more than 50 years, we have been developing growth strategies for the global 1000, emerging businesses, the public sector and the investment community. Is your organization prepared for the next profound wave of industry convergence, disruptive technologies, increasing competitive intensity, Mega Trends, breakthrough best practices, changing customer dynamics and emerging economies?

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Contact:

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Mireya Espinoza             

Chris Joseph

P: 210. 247.3870            

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E: chris.joseph@volparasolutions.com

E: mireya.espinoza@frost.com

 

 

Frost & Sullivan Applauds T-Systems’ Success in the IT Services Industry Through Its Customer-Centric Approach to Product Development and Service Delivery

– Through continued focus on sustainable development across all areas of business and communities it serves, T-Systems can become a significant organisation in South Africa

CAPE TOWN, South Africa, Aug. 26, 2014 /PRNewswire/ — Based on its recent analysis of the IT services industry, Frost & Sullivan recognizes T-Systems with the 2014 South African Company of the Year Award. T-Systems in South Africa has gained a reputation for providing a superior set of ICT solutions, and is one of the leading outsourcing service providers locally. The company offers end-to-end solutions across ICT operations and systems integration, and is particularly strong in the data centre and enterprise resource planning markets. T-Systems in South Africa has an extensive portfolio of services, which it delivers to organisations across a variety of horizontal and vertical sectors including IT outsourcing and SAP services to South Africa’s leading enterprises across all industries and Public Services.

Being part of the German-based Deutsche Telekom Group, T-Systems has access to the parent company’s centralized market and competitive intelligence in South Africa. Therefore, it is well-placed to leverage the international best practices in application services, infrastructure services and IT, including cloud computing, managed services and SAP solutions, and adapt them to the local market. This advantage has allowed the company to rack up a number of firsts in practices and solutions. For example, T-Systems is considered the first service provider to offer a cloud-based service for SAP solutions in the local market.

“T-Systems uses innovation as a key differentiator to enable digital transformation. By leveraging novel solutions and internalising innovative thinking in the local context, T-Systems has been able to establish the T-Systems Innovation Factory in collaboration with the Innovation Hub and the Maxum Business Incubator,” said Frost & Sullivan Research Analyst Lehlohonolo Mokenela.

“With hot-desking solutions, boardrooms and a collaboration space, the Innovation Factory was designed to foster innovation and collaborations among the company, its customers and leading market experts.”

Emerging technologies such as cloud computing, big data, collaboration and mobility help customers achieve closer proximity to their customers and workforce, a concept T-Systems calls ‘Zero Distance’. Zero Distance is all about providing solutions that address consumer pain points, which will ensure operational efficiency and boost revenues.

T-Systems other notable efforts to innovate to zero distance include the Zero Outage quality initiative, which is aimed at ensuring that employees are prepared to handle occasional power failures and outages. This is supported by a training and certification program to reinforce a Zero Outage mindset, encouraging employees to conceptualise new ways to reduce the time to repair outages and improve processes to prevent recurrences.

Meanwhile, the Zero Outage Supplier Certification programme complements the Zero Outage initiative by confirming quality across the value chain. The Zero Deviation quality initiative ensures that projects run according to the agreed timelines, cost and quality levels contracted with the customers. Lastly, the Intensive Quality Care initiative facilitates the remediation of escalated environments in collaboration with customers to agreed service levels as rapidly as possible.

T-Systems has developed a standardised portfolio of data centre, collaboration and end-user services, and gradually migrates enterprises’ processes from legacy systems to dynamic high-performing ICT. As a result, by the time cloud and big data services become more mature and ready for use by enterprises, T-Systems would have set the stage to support the services. One of T-Systems’ key strengths is having shared platforms over which services are provided and then having a different journey with each customer based on their specific needs.

Beyond profit-driven objectives and maximizing investor value, T-Systems has demonstrated a willingness to embrace a more powerful ideal of bringing greater value to customers and the country. Aligned with the National Development Plan, T-Systems contributes through skills development, localisation and job creation. This is demonstrated in the company’s participation in South Africa’s transformation objectives. A long-standing investment in the ICT Academy and the T-Systems Learnership programme is proof of its commitment and passion for skills development within the ICT sector.

“The company has been able to maintain a local relevance in its understanding of the market, by employing a predominantly South African workforce that has better insights into the local market,” noted Mr Mokenela. “Despite Deutsche Telekom’s majority shareholding in T-Systems in South Africa, an estimated 97 percent of the company’s employees are South African.”

The company’s core values ensure that it adapts to its local environment, in terms of culture and enterprises. This also enables it to provide more tailored, non-generic solutions across industries and enterprises.

Each year, Frost & Sullivan presents this award to the company that has demonstrated excellence in terms of growth strategy and implementation. The award recognizes a high degree of innovation with products and technologies and the resulting leadership in terms of customer value and market penetration.

Frost & Sullivan Best Practices awards recognize companies in a variety of regional and global markets for demonstrating outstanding achievement and superior performance in areas such as leadership, technological innovation, customer service and strategic product development. Industry analysts compare market participants and measure performance through in-depth interviews, analysis and extensive secondary research to identify best practices in the industry.

About T-Systems

Drawing on a global infrastructure of data centres and networks, T-Systems operates information and communication technology (ICT) systems for multinational corporations and public sector institutions. T-Systems provides integrated solutions for the networked future of business and society. Some 50,000 employees at T-Systems combine industry expertise and ICT innovations to add significant value to the digitization strategies and core business of customers all over the world. T-Systems generated revenue of around EUR 9,5 billion in the 2013 financial year.

Since the inception of T-Systems in South Africa in 1997, the company has cemented its position as one of the most successful T-Systems companies outside of Europe. A leading ICT outsourcing service provider locally, T-Systems offers end-to-end ICT solutions in both the ICT Operations and Systems Integration markets. Their extensive portfolio of services covers the vertical, horizontal, IT and TC space. T-Systems South Africa’s head office is located in Midrand with another major office in Cape Town, and 20 further representative offices in locations throughout southern Africa.

About Frost & Sullivan

Frost & Sullivan, the Growth Partnership Company, works in collaboration with clients to leverage visionary innovation that addresses the global challenges and related growth opportunities that will make or break today’s market participants.

Our “Growth Partnership” supports clients by addressing these opportunities and incorporating two key elements driving visionary innovation: The Integrated Value Proposition and The Partnership Infrastructure.

  • The Integrated Value Proposition provides support to our clients throughout all phases of their journey to visionary innovation including: research, analysis, strategy, vision, innovation and implementation.
  • The Partnership Infrastructure is entirely unique as it constructs the foundation upon which visionary innovation becomes possible. This includes our 360 degree research, comprehensive industry coverage, career best practices as well as our global footprint of more than 40 offices.

For more than 50 years, we have been developing growth strategies for the global 1000, emerging businesses, the public sector and the investment community. Is your organization prepared for the next profound wave of industry convergence, disruptive technologies, increasing competitive intensity, Mega Trends, breakthrough best practices, changing customer dynamics and emerging economies?

Contact Us: Start the discussion

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T-Systems in South Africa press contact

Lebohang Thokoane
Head of Marketing & Communications
@: Lebohang.Thokoane@t-systems.co.za
T: +27(11)266-0266
M: +27(78)803-0634

Frost & Sullivan press contact

Samantha James
Corporate Communications Africa, Frost & Sullivan
@: samantha.james@frost.com
T: +27-21-680-3574

Highest Honour in Corporate Governance for Shiv Nadar

KOLKATA and NOIDA, India, Aug. 25, 2014 /PRNewswire/ —

– Felicitated with the ICSI Lifetime Achievement Award

The Institute of Company Secretaries of India (ICSI), the apex body with a vision of being a global leader in promoting good corporate governance, has bestowed the ICSI Life Time Achievement Award 2013 for Excellence in Corporate Governance on Shiv Nadar, Founder & Chairman, HCL and Shiv Nadar Foundation. The award was presented by Shri Arun Jaitley, Hon’ble Union Minister for Finance, Defence and Corporate Affairs.

(Photo: http://photos.prnewswire.com/prnh/20140825/703012 )

The award comes hot on the heels of several recent accolades in corporate governance conferred on HCL Technologies, which include the Best Governed Company Award 2014 from The Asian Centre; the Outstanding Company of the Year 2014 Award from CNBC and the Corporate Citizen awards by both the PHD Chamber of Commerce and All India Management Association.

CS R Sridharan, President, ICSI, said, “HCL represents a culture of evolving globally acceptable standards of corporate governance. Last year, ICSI recognised HCL Technologies as the best governed company. This year, we are pleased to felicitate Shiv Nadar for his exemplary work in institution-building and good governance that has helped create sustained and path-breaking growth for HCL in a highly dynamic business environment.”

Accepting the award, Shiv Nadar said, “This is a great honour and I thank ICSI and the eminent jury for this recognition.I share this award with our board, management leadership and employees who have set high standards of governance. I believe good corporate governance is critical in enhancing competitiveness, and creating industry-leading profitable growth and superior returns for every stakeholder of the institution.”

The ICSI National Awards for Excellence in Corporate Governance, instituted in 2001, are the highest honour in corporate governance in India. The independent jury comprised of:

  • Justice M. N. Venkatachaliah, Chairman of Jury & Former Chief Justice of India
  • Dr. Anil K. Khandelwal, Former CMD, Bank of Baroda
  • Arun Balakrishnan, Former CMD, HPCL
  • Justice B. N. Srikrishna, Former Judge, Supreme Court of India
  • Ravi Narain, Vice Chairman, NSEIL
  • R. S. Butola, Chairman, Indian Oil Corporation
  • Y. C. Deveshwar, Chairman, ITC Ltd
  • Y. M. Deosthalee, CMD, L&T Finance Holdings Ltd
  • CS S. N. Ananthasubramanian, Immediate Past President, ICSI
  • Sunil Kant Munjal, Joint Managing Director, Hero MotoCorp Ltd

Contact: Kunal Takalkar, +91-9810773217

GETINGE Receives Red Dot Design Award for its Innovative User-interface CENTRIC

GETINGE, Sweden, Aug. 25, 2014 /PRNewswire/ —

Getinge Infection Control has been awarded the prestigious and coveted Red Dot design Award for its innovative user-interface called Getinge CENTRIC. The design of the newly launched user-interface for sterilizers and washer-disinfectors received the jury´s attention, thanks to its user-centric approach and focus on process assurance and safety. 

The Red Dot Design Award is one of the world’s largest design competitions. The international jury judges each of the 7096 entries live and in-situ in sessions running over several days.  

(Logo: http://photos.prnewswire.com/prnh/20140825/703005)

Getinge Infection Control has in the past years developed CENTRIC a new patent pending user interface for washer- disinfectors and sterilizers, used in the Healthcare and Life Science segments. Creating a user interface for equipment in the infection control settings that enables an efficient, safe and intuitive handling required extensive user involvement and research engagement.

Getinge CENTRIC offers a unique guiding interface, showing only the information the operator needs in each situation. The interface is coordinated throughout all Getinge products for recognition and safe use. The aim of the intuitive and guiding interface is to minimize the risk of human error and allow the users to operate the machines with higher confidence and in less time. Another important aim is to support staff in solving errors themselves without lengthy stop in the flow of goods, and to substantially reduce costly training time.

“Winning the Red Dot award for Getinge CENTRIC is recognition that the intuitive user-interface is truly a game changer for our industry. The development of CENTRIC is designed with the user in mind. From this perspective, CENTRIC offers our customers more efficient processing and safer handling of their equipment in an appealing format,” says Anders Grahn, President & CEO for Getinge Infection Control.

In this process Getinge has worked in close cooperation with the Swedish design and innovation agency Lots. This is the second time Getinge Infection Control and Lots wins the Red Dot seal together. Lots has extensive experience and knowledge of developing creative and brand new design solutions that meet people´s needs.

“Getinge CENTRIC is a good example of user centric innovation, where deep user involvement during the development process resulted in a completely unique user interface that supports the staff,” explains Hanna Ljungstrom, Design Manager at Lots.

Media contact:

Anders Grahn
President & CEO
Getinge Infection Control
+46-10-335-56-96

Manufacturing Leadership Awards Open: New Categories Recognize Era of Connectivity, Big Data, and Mobility

MOUNTAIN VIEW, California, Aug. 21, 2014  /PRNewswire/ — Frost & Sullivan’s Manufacturing Leadership Council (MLC), announced today that the 2015 Manufacturing Leadership (ML) Awards nominations will open on Thursday, Aug. 21, 2014.

The ML Awards honor companies and individual leaders shaping the future of manufacturing.

The ML Awards honor companies and individual leaders shaping the future of manufacturing.

The ML Awards program has undergone significant enhancements including the addition of categories for manufacturers that are transforming their businesses through the use of emerging technologies, including big data and advanced analytics, mobility and the Internet of Things (IoT.)

In its eleventh year, the ML Awards is the premier program for honoring companies and individual leaders that are shaping the future of global manufacturing. In addition, the awards also honor technology providers that have assisted ML Awards winners in achieving transformational breakthroughs. They also celebrate the outstanding career achievements of manufacturing leaders who build best-in-class companies and help advance the manufacturing industry.

Recipients of the ML Awards receive global recognition as manufacturing industry leaders and are honored at the Manufacturing Leadership Summit, June 2-4, 2015, at the Omni La Costa Resort in Carlsbad, CA. Past ML Awards company honorees include 3M, Boeing Co., Coca-Cola, Eaton Corporation, Ford Motor Co., General Electric Co., General Motors Co., IBM, L’Oreal USA, Motorola, Nalco, and Raytheon.

“The addition of new categories for projects that leverage big data, mobility, and IoT is recognition that manufacturers around the world are entering a new era of hyper-connectivity in which everything from products in the field to machines on the shop floor will be generating vast streams of data,” said David Brousell, Global Vice President and Editorial Director of the Manufacturing Leadership Council. “Manufacturers that leverage that information to optimize their businesses and give customers what they want are tomorrow’s leaders.”

Also new in 2015, the ML Awards have added categories for manufacturers that are successfully attracting and developing next-generation leaders and creating breakthrough innovation practices. Manufacturers and their technology partners can submit ML Award nominations in the following categories:

2015 Project/Company Awards:

  • Big Data and Advanced Analytics Leadership
  • Customer Value Leadership
  • Engineering & Production Technology Leadership
  • Enterprise Technology Leadership
  • Internet of Things Leadership
  • Operational Excellence Leadership
  • Mobility Leadership
  • New Product Leadership
  • Innovation Process Leadership
  • Supply Chain Leadership
  • Sustainability Leadership
  • Next-Generation Leadership Award

2015 Individual Achievement Award:

  • Visionary Leadership Award
  • Lifetime Achievement Award

Full descriptions of these categories are available at: http://bit.ly/1kLyZxY.

ML Awards nominations will remain open until Nov. 1, 2014 and can be submitted online by describing achievements using a downloadable form. Nominees are entered into specific categories and evaluated by a panel of expert judges.

For more information on the MLC and the new 2015 Manufacturing Leadership Awards, including past ML Awards recipients, examples of completed nomination forms, and to download and submit nomination forms, visit: mlawards.gilcommunity.com.

About the Manufacturing Leadership Council

The Manufacturing Leadership Council, part of Frost & Sullivan, offers an integrated portfolio of leadership networking, information and professional development products, programs, and services for industrial executives worldwide. MLC’s mission is to help senior executives define and shape a better future for themselves, their organizations and the industry at large. MLC’s portfolio consists of the Manufacturing Leadership Council website, an online global business network; the Manufacturing Leadership Council, an invitation-only executive organization; the annual Manufacturing Leadership Summit conference; the Manufacturing Leadership Awards program; and the Manufacturing Leadership Journal. For more information, visit us at http://www.gilcommunity.com/groups/manufacturingleadership/.

About Frost & Sullivan

Frost & Sullivan, the Growth Partnership Company, works in collaboration with clients to leverage visionary innovation that addresses the global challenges and related growth opportunities that will make or break today’s market participants.

Our “Growth Partnership” supports clients by addressing these opportunities and incorporating two key elements driving visionary innovation: The Integrated Value Proposition and The Partnership Infrastructure.

  • The Integrated Value Proposition provides support to our clients throughout all phases of their journey to visionary innovation, including: research, analysis, strategy, vision, innovation and implementation.
  • The Partnership Infrastructure is entirely unique as it constructs the foundation upon which visionary innovation becomes possible. This includes our 360 degree research, comprehensive industry coverage, career best practices as well as our global footprint of more than 40 offices.

For more than 50 years, we have been developing growth strategies for the global 1000, emerging businesses, the public sector and the investment community. Is your organization prepared for the next profound wave of industry convergence, disruptive technologies, increasing competitive intensity, Mega Trends, breakthrough best practices, changing customer dynamics and emerging economies?

Is your organization prepared for the next profound wave of industry convergence, disruptive technologies, increasing competitive intensity, Mega Trends, breakthrough best practices, changing customer dynamics and emerging economies?

Contact Us: Start the discussion

Join Us: Join our community

Subscribe: Newsletter on “the next big thing”

Register: Gain access to visionary innovation

Contact:
Jeffrey Moad
Manufacturing Leadership Council
P: +1.510.531.3456
F: +1.510.531.3456
E: jeffrey.moad@frost.com

Facebook: FrostandSullivan

http://www.frost.com